Avoiding the Passive in French
The passive voice page covers how the French passive is built: plus a past participle, the participle agreeing with the subject, the agent introduced by or . That is the machinery. This page is about the fact that French usually declines to use it.
The difference is one of frequency, not of grammar. English uses the passive as its ordinary way of not naming a doer, and does so dozens of times a page. French finds the full passive heavy, reserves it largely for formal writing, and reaches instead for one of three lighter structures. Learn those three and your French stops sounding translated.
Why the dodges exist
Count what an English passive is usually doing. Nine times in ten it is not foregrounding the object at all; it is hiding the subject, because the subject is unknown (my bag was stolen), irrelevant (the shop has been closed), or everybody (French is spoken here). French has a dedicated word for an unknown, irrelevant or general subject, and it is on. Given that, a passive is redundant.
So the question to ask of every English passive is not "how do I build this in French?" but "who is my subject going to be?" The answer decides the structure.
Strategy 1: on + active verb
On is a third-person singular subject pronoun meaning "one / people / they / someone", and it takes an ordinary active verb. It is far and away the commonest way French renders an agentless English passive.
- On . (French is spoken here.)
- On a concert. (The concert has been cancelled.)
- On construit logements région. (A lot of housing is being built in this region.)
- On m'a . (My bag was stolen.) - literally "someone stole my bag from me".
Two mechanical points. On always takes the third-person singular verb form, however many people it stands for: on va, on fait, on a dit. And in careful writing the past participle after on stays masculine singular (on est allé), even though the plural agreement (on est allés) is normal in speech when on clearly means nous.
The limitation is absolute: on cannot take an agent. The moment you want to say by whom, on is out, and you either recast the sentence as an ordinary active one or use a true passive.
- Wrong:
On a écrit cette lettre par Marie. - Right: a . (Marie wrote the letter.) - active recast.
- Right: a . (The letter was written by Marie.) - true passive, agent named.
Strategy 2: the pronominal se passive
The second dodge makes an ordinary transitive verb reflexive with and gives it a passive sense. The thing acted upon is the grammatical subject, and the verb agrees with it, but no agent is ever named or nameable.
- . (That isn't said. / You don't say that.)
- . (White wine is drunk chilled.)
- s' n. (That word is spelt with two n's.)
- . (Tickets are sold online.)
- prépare . (This dish is made the day before.)
Notice what these sentences have in common: every one of them is a general truth, custom or property, not a report of an event. That is the whole domain of the se passive. It answers "how is this done, generally?" and nothing else.
When the se passive is impossible
Two hard limits, and English speakers trip on both.
First, the subject must be inanimate. With a human or animal subject, is read as a real reflexive or reciprocal, and the meaning changes underneath you.
- . = The children wash themselves. Never "the children are washed".
- . = They look at each other. Never "they are looked at".
- For the passive sense you need on: On . (The children are washed every evening.)
Second, it wants a habitual truth, not a dated event. A one-off action with a specific time pushes you back to on.
- Odd:
La maison s'est vendue hier. - Natural: On a vendu . (The house was sold yesterday.)
- But fine as a general property: moment. (Houses are selling well at the moment.)
Strategy 3: se faire + infinitive
The third dodge is the one most learners have never met, and it fills a real gap. plus an infinitive puts the affected person in the subject slot, which is exactly what an English passive does, and unlike on it will happily take an agent with .
- s' son . (He had his wallet stolen.)
- s' . (She was knocked down by a car.)
- me . (I got had. / I was taken in.)
- à . (We were stopped at the border.)
The participle in this construction is invariable: elle s'est fait renverser, not "faite". It is followed directly by an infinitive, which is what blocks the agreement.
There is a formal cousin, + infinitive, and it is the one structure that lets an indirect-object person become a grammatical subject:
- s' . (He was offered a job.)
- s' l'. (She was refused entry.)
This is written register, not conversation. In speech you would still say on a .
The hard rule: no passive on an indirect object
Here is the point that has no English parallel, so it has to be learned rather than felt. French can only promote a direct object to passive subject. An indirect object can never become one.
Take chose à quelqu'. The thing said is the direct object; the person is the indirect object, tagged by à. English cheerfully promotes the person anyway:
- I was told the truth.
- She was offered a job.
- We were asked to wait.
- He was phoned yesterday.
None of these has a French passive equivalent. Je suis dit, j'ai été dit, elle a été offerte un poste and il a été téléphoné are not stiff or formal French; they are not French. The verbs that behave this way are the whole à quelqu' family: , , , , , , , , , , .
The everyday fix is always the same. Switch to on, and turn the English subject into an object pronoun:
| English passive | Impossible | Correct French |
|---|---|---|
| I was told the truth | on m'a | |
| She was offered a job | on a | |
| We were asked to wait | on a d' | |
| He was phoned yesterday | on a téléphoné | |
| They were allowed to go | on a |
Watch which pronoun you need. Me, , , look the same either way, but the third person splits: a direct object takes / / , an indirect object takes / . Since these verbs all take à, it is on a , never "on l'a offert" when you mean the recipient.
One fossil, purely so you recognise it: a handful of à-verbs did allow a passive in older French and the survival is , as in il est obéi de tous (he is obeyed by everyone). It is a museum piece. Do not generalise from it.
Choosing the strategy
| Your English sentence | Use | Example |
|---|---|---|
| No agent, a specific event | on + active verb | on a |
| No agent, a general truth about a thing | passive | |
| A person had something done to them | + inf. | s' son |
| The English subject is the receiver of the verb | on + object pronoun | on m'a ... |
| You genuinely want to name the agent, in writing | true passive |
Worked examples
- On a . (The keys were found in the car.) - one event, no agent, so on.
- champagne . (Champagne is served well chilled.) - a custom about a thing, so .
- On m'a . (I was advised to leave early.) - conseiller à quelqu'un, indirect object, so on with me.
- s' son téléphone . (She had her phone stolen on the underground.) - the person is affected, invariable.
- a construite douzième . (This church was built in the twelfth century.) - formal written register with a real date, so a true passive is fine here.
- . (That's not done.) - a social rule, the classic passive.
- On a promis . (They were promised an answer.) - promettre à quelqu'un, so .
Common mistakes English speakers make
The biggest single error is building an English passive word for word onto an indirect object: "je suis dit", "elle a été donné un livre". These are not merely clumsy, they are ungrammatical, and the cure is mechanical - if the English subject is the person who received something, start again with on and an object pronoun. The second error is choosing / / where the à-verb demands / , giving "on l'a offert un poste" instead of on a . The third is stretching the passive to animate subjects, where it flips to a genuine reflexive: "les enfants se lavent" says the children wash themselves, so use on . The fourth is agreeing the participle in : it is s' , invariable, never "s'est faite". Finally, do not over-correct into the opposite habit and write a full passive everywhere just because it maps neatly onto the English. Where no agent is named, on is the natural French, and a page full of a été reads like a document rather than a person.
See also
- The passive voice page covers how the true être passive is built, the participle agreement and the par / de choice for the agent.
- The reflexive verbs page covers the se conjugation and the être auxiliary that the pronominal passive borrows.
- The object pronouns page covers the me / te / lui / leur split that decides whether an on sentence is right.
- The subject pronouns page covers on alongside the other subject pronouns.
- The French grammar cheatsheet covers the whole A1-B2 grammar map at a glance.